![]() ![]() "The old look and feel – built around the Guardian Egyptian typeface, really sings with the bold punchy colours used across the Guardian’s supplements, and colour really helps drive navigation on the site – so I can’t imagine it will be going too monotone." ![]() ![]() "I’ll be fascinated to see how the new look, particularly the new typeface (and an apparent restrictive use of colour) roll out across the Guardian’s other publications and formats," Davey adds. "It entirely makes sense to ditch the more expensive (though admittedly a bit special) format, when the majority of its readership accesses the paper online," he says. So how has the redesign been received by designers? Jack Davey, creative director at Studio Bolt, thinks that the change of paper format is a reflection of the times we live in. Earlier this year the paper even featured in the works of Turner Prize 2017 winner Lubaina Himid. With The Guardian's focus on arts and culture, it's no surprise that it's a favourite with creatives. The Guardian's new website as it looks today ![]()
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